There are two addresses in Lagos: Alaba International Market and Lagos Island. There one finds dozens of shops specializing solely in photographic material, full of cameras, diverse accessories, batteries, films, and video cameras… at unbeatable prices.
Nigeria also exports its know-how: for a long time now, Nigerian migrants have
had
a monopoly on certain professions in their host countries (Ghana,
Niger, Côte d'Ivoire, Cameroon, etc.), including tailoring,
hairdressing, mechanics and photography. In Côte d'Ivoire, Nigerian
Yoruba - known as "Nago" or "Anago" - are considered the best
photographers in the country (which is true of the Ghanaians too). Many
Ivoirian studio photographers have inherited their know-how and material
from their Nigerian colleagues. This influence can be felt, for
example, in the use of black and white painted décors, usually
representing urban landscapes (buildings, motorways, airports, etc.),
which were very much in vogue in the Sixties and Seventies. Tastes have
changed since: people prefer colour, and plain or flowery backdrops…
Researcher Tobais Wendl refers to a "Nigerian Connection" which appears
to have originated in Sekondi in Ghana (Anthologie de la Photographie
africaine, Revue Noire, 2e ed., 1999, p. 146). Another very Nigerian, or
rather Yoruba, touch are the portraits reproduced twice on the same
print. In any West African studio where a Nigerian photographer
officiates (or officiated), you can finds these "double portraits" in
the window, a reference to twinning, which is the object of a special
cult - the Ibeji - in Yoruba land.
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